D.R., Dance Critic, The Hindu, 6-8-1972

Bharathanatyam by Rajyashree: … exposition of ‘Natanamadinar’ in Vasantha and the subsequent Krishna’s Kaliyamardhana proved highly impressive on account of graceful body movements and rhythmic footwork. Deft artistry in both abhinaya and posturing in ‘Kannan vara kanane’ ... her best was the Navarasa sloka depicting in quick succession the nine traditional sentiments and the concluding Tillana which revealed her excellence in adavus and nritya.